On “Queering Eliza Haywood,” Journal for Early Modern Cultural Studies (2020) By Catherine Ingrassia
In the 2020 Journal for Early Modern Cultural Studies article “Queering Eliza Haywood,” Catherine Ingrassia mentions Kathryn King’s “generative biography” which reads “through a culturally...
I Labor, Therefore I Am: Labor, Series, and Asserting Existence through Essence
In “‘Calling [herself] Eleanor’: Gender Labor and Becoming a Woman in the Rykener Case,” Kadin Henningsen applies the concepts of “seriality and gender labor” to...
Abandon Hope Ye Who Enter: Or, Who Has the Power to Enter and Emerge from Hell/History
When the writer Joanna Schroeder was driving her 11- and 14-year-old sons and their friends in the back seat of her car, and heard one...
Field Report: University Archives and Special Collections at Oakland University
On Friday, 24 January 2020, from 9:30 to noon, I visited the University Archives and Special Collections at Oakland University in order to conduct on-site...
On “Editing Eliza Haywood’s The Female Spectator (1744–1746): Making (and Unmaking) a Periodical ‘for Women,’” chapter by Kathryn King in Editing Women’s Writing, 1670-1840
In this book chapter within an edited volume on editing 18th-century women’s writing, Kathryn King recounts her experience editing the highly acclaimed critical edition of...